PROPERTY
Surrey’s Premier Lifestyle Magazine
June 2017

Endless possibilities

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Homewood Furniture, bespoke furniture makers based in Surrey, offer guidance on creating home storage solutions for living areas, home studies and bedrooms.


Bespoke television and audio visual units can transform a living room into a comfortable, clutter free and beautiful relaxing space to unwind. These bespoke units can be designed and hand made to maximise storage space, provide shelving to display sentimental and attractive items and tidy away unsightly wires. Bespoke television units can be made to match existing décor, or designed with something new in mind, the choice is endless.

Fitted home office and study rooms with clean lines and innovative storage solutions can be achieved with bespoke fitted furniture. Maximise the available space, even in the most awkwardly shaped rooms, by fitting bespoke units into a recess, bay window or creating a desk to fit under a staircase. Choose from traditional or contemporary materials and finishes, the look and fit will always be unique.

Why not create a compact study for younger members of the family? A dedicated study space for children can play an important part in their success at school and college. A corner of their room can be transformed with a bespoke unit providing organised space and compact units to help make a more efficient working environment. All necessary equipment can be stored neatly away when not needed, clutter free. Bespoke study units can provide a writing area within a quiet, personalised space and can be made for even the most discerning teenager. These units can be tailor made in a hardwearing finish and to suit individual budgets.

Bespoke fitted wardrobes are tailor made to individual requirements and can help tidy and solve the problem of storage. Using clever design ideas, such as roll out shoe shelves, pulldown hanging rails, full height units for additional storage, compartment racks for ties, socks, scarfs and adjustable shelving, all help to create a flexible and unique space. Hand made by skilled craftsmen in a stylish design and finish of choice: the possibilities really are endless.

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essence info
Homewood Furniture produces bespoke home furniture across London, Surrey, Sussex and Hampshire.
Website:
www.homewoodfurniture.co.uk
Telephone:
01932 809135

Natural wonder

Bathroom has wall in Paonazzo marble from Elite Stone

Tetyana Kovalenko is the multilingual founder and CEO of Elite Stone, a luxury manufacturer of ornamental stone used in many exclusive interiors. Andrew Peters asked her about her company and her passion for using stone.


Q Tetyana, after studying psychology, you went on to study geology and mineralogy at Rome University. What attracted you to the subject?
A
When I started to work for a company producing equipment for quarries, I was determined to become a true professional. I took a graduate course in geology in order to understand every aspect of natural ornamental stone, both chemical and physical. During the course of intense study, my fascination with marble and onyx, as well as quartzite, grew stronger than ever.

Q Who inspired you and continues to do so?
A
I am devoted to luxury and beautiful things, inspired by changing trends in fashion and interior design. Outside our buildings in Verona we have installed a profile of Michelangelo’s David carved in Carrara marble.

Q Can you tell us about Elite Stone and why you started the company?
A
I have always had the ‘gout de luxe’ (marble has, since ancient times, been associated with glamour, wealth and power). I understood that bespoke design is now de rigueur for those in search of the ‘best of the best’ with gleaming surfaces impeccably crafted in natural stone. The first Elite showroom opened in Rome in 2000, moved to Carrara in 2007 where the company has strong associations with local quarries, and finally established in Verona in 2013.

Q In which countries does Elite now work?
A
The UK, US, Russia, Israel, the Middle East and Europe are our main markets.

Q Do you work for both private and commercial clients?
A
Yes, we do, and provide each with the same amount of personal attention and service.

Q The company has recently completed some very high-end projects in the UK. Is it your intention to expand here?
A
Of course, we have opened our new showroom to demonstrate to clients the creative potential of marble.

Q How does the company push boundaries in the traditional use of natural stone?
A
Elite Stone invests in research to explore new ways of using marble. One example is in the use of extra thin stone for lining doors, showers, backlit tabletops and panelling. We have a technical department dedicated to solving what are complex technical problems.

Q Which quarries supply the stone used?
A
Mainly quarries in Carrara: Calacatta Borghini, Statuario, Calacatta Vaglia and Caldia. We also import from other countries, including Mexico and India; wherever we can source superb quality stone.

Q What are the key factors when working on a project to produce a result satisfying to the client?
A
Discover and understand the client’s personal vision, suggest the right stone for its purpose and ensure each project is meticulously executed.

Q What is the best advice you can provide to a client contemplating using natural stone?
A
To appoint experienced people with technical expertise who are aware of subtle differences in stone, beyond just good looks. Kitchens, bathrooms, external surfaces: each area needs an individual approach.

Q What is the E-Light System your company has developed?
A
E-Light is a system of backlighting panels of marble and onyx, developed over ten years by Elite Stone’s technical team. This idea offers endless decorative possibilities to highlight the beauty of natural marble and onyx, far beyond a tabletop or bathroom wall. The E-Light panel is a laminated element, compact, lightweight and durable, with a minimum thickness of six millimetres, formed by a rigid glass support a minimum of three millimetres thick, coupled to a panel in natural marble of three millimetres, or onyx of five millimetres. Each panel can be backlit by a bright LED light transmission system provided by two methods: either dimmable white light or an alternative system offering a choice of 16 colours. The tempering of the rigid glass support procedure amplifies the physical and mechanical characteristics of normal glass by up to eight times.

Q Do you have a favourite stone?
A
Whites, Calacatta and Statuario are considered the most ‘evergreen’ and elegant types of marble. I believe there is no ugly stone, only ugly installation.

Q What has been the highlight of your career so far?
A
Creating a new type of stone business where the client is looked after throughout the sale and installation processes. To be able to offer an outstanding choice of materials and design, and contribute to some of the finest interior projects around the world.

Q What projects does the company have in the pipeline?
A
We have a real variety, including completing 50 St James’ Hotel in London, villas in Como and Majorca, and a spectacular synagogue in Jerusalem.

“True luxury is all about outstanding raw materials and an in-depth knowledge of how to work with them. Marble is like a diamond: absolutely perfect when the colour is right, when it is flawless and cut properly.
When one of these features is missing, it immediately loses value.”
Tetyana Kovalenko

Hammam decorated with an intricate mosaic design, requiring specialist craftsmanship from Elite Stone.
Case study: Surrey basement project
Elite Stone recently completed a sumptuous basement conversion for a Surrey client. The basement spa was specially constructed and comprised an indoor pool, gymnasium, Jacuzzi, sauna and Turkish bath (Hammam) looking out over a Zen garden.

Materials for the ensuite bathroom were Paonazzo marble on the wall and floor bespoke Cremo Delicato inlaid with Tuscan oak tiles. Different craftsmanship skills were required for cutting and fitting the different marble types. The ‘book match system’, the outstanding decorative feature, is very difficult to achieve and was constructed in four sections.

The shower wall was clad in Tigers’ Eye, a semi-precious stone, and the spa mosaic uses stone supplied from Noir St Laurent and Pallisandro. Using light, reflective surfaces, achieved with the use of individually selected white ‘book matched’ marble, the team at Elite achieved a cool, contemporary and spacious feel for the ensuite.

The spa and pool area had the opposite effect by using a black and gold mosaic tiling to line the pool with underwater creatures, such as jellyfish, picked out with gold tiling. The effect was completed with a stretched ‘black fabric’ ceiling.

The ‘black’ effect interacted with the dramatic ‘green' of the newly-created Zen Garden viewed through a large picture window at the end of the pool.

essence info

Website: www.elitestone.it

Chelsea - making the wild look pretty?

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Emanuela Alladio of Alladio Sims Garden Landscape Design Limited describes her experience of creating four show feature installations at this year’s prestigious Chelsea Flower Show with her fellow director Jon Sims.


Every year the Chelsea Flower Show is an unparalleled experience for everyone who loves gardens – an explosion of flowers and ideas assaulting the senses the minute you walk through the gate, bursting with colours, shapes and scents, some very brash and bold and boisterous and others more quiet, restrained and soft. The Chelsea Flower Show has something to offer for every taste.

This year Alladio Sims was asked by the RHS to create four separate show feature installations around the show ground. There had been a reduced number of show gardens this year, possibly a consequence of the Brexit vote, as each garden at Chelsea usually requires a high level of sponsorship to bring it to life. Despite this, the reduced numbers made for an undoubtedly more relaxed and leisurely show. Instead of rushing to see the next show garden, this year visitors seemed to slow down, taking their time to enjoy and digest what they saw and making the most of the opportunities to meet and engage with the designers.

The rare opportunity to share the joys and tribulations of the process of creating a show feature at this prestigious event was one Jon and I grabbed with both hands. It’s a treat to display your ideas to so many enthusiastic visitors and to listen to their views on the gardens they see and is one that we as designers relish the most. It is a great chance for us to obtain a good indication of what people like or dislike, and it is so heart warming when our work is able to bring joy to so many people. In creating evocative and atmospheric garden spaces we hope to stimulate reactions, feelings and memories that make a thoroughly engaging spectacle for the viewer. Indeed, we believe the level of visitor engagement is the true measure of a successful show garden.

Venturing inside the Great Pavilion the passion for plants really transpires on the growers’ faces. If you engaged them in conversation they are always very willing to share growing tips and secrets, because they too are in tune with those who share their passion for plants.
What was the real star of the show this year? We think there were two opposing camps: one really bold and almost garish (with bright pink rhododendrons, showy lupins and explosive oranges) and one much more restrained, naturalist and soft, closer to what a natural habitat would look like without any artificial intervention. Needless to say these two camps divided visitors, sparking criticism towards the more unkempt look and equally leaving others unimpressed by the very showy and contrived nature of the more manicured gardens.
Who is correct? Should a show garden only contain perfect specimen plants and highly manicured borders, or should it portray a landscape close to the one where the plants would survive naturally?

We think there is space for showcasing both options: the trick is to give visitors enough information that they can engage with it – if you share the passion, the personal experience that inspired it, and the long journey taken to create it people will, without fail, fall in love with even the commonest plants and the landscape they illustrate.

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Profile: Alladio Sims
Alladio Sims Garden Landscape Design Ltd was established in 2015 after Jon Sims and Emanuela Alladio collaborated on a Silver Gilt winning show garden at RHS Hampton Court Palace Flower Show. The two directors continue their collaborative approach throughout their practice with Jon’s background in interior architecture giving distinctive spaces and Emanuela’s passion for plants and photographic eye adding great texture and contrast.

essence info
Alladio Sims Garden Landscape Design Limited
Unit C Willow House, Dragonfly Place, London SE4 2FJ
Website: www.alladiosims.co.uk
Email: hello@alladiosims.co.uk

Stairway to a heavenly home

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With the changes in the housing market essence talked to Paul Jones of Castle Conservatories, Surrey and London’s premier design and build company, about how extending your property with an elegant orangery or conservatory can truly enhance your home and lifestyle providing space, and bringing the outdoors inside.

According to recent RICS (Royal Institute of Chartered Surveyors) statistics housing stock levels are at an all-time low. This seems to indicate that many homeowners opt to stay put adding value to property through home improvements. This can be anything from upgrading windows and doors, improving energy efficiency to adding an orangery or conservatory to extend living space.

At Castle Conservatories we are often asked what is the difference between a conservatory and orangery? Here is our guide to where they originated and why.

Orangeries became popular in renaissance Italy in the 17th Century, when advancement in glass production gave architects the ability to obtain large manufactured panes of glass to use in their designs. Originally built for elegant homes of the day to protect precious citrus fruit from the elements, they were seen as a symbol of wealth and became the room for entertaining on a grand scale. They were the ultimate addition to some of the most beautiful buildings in Europe housing everything from fountains to magic grottos. Owners were thus able to display wealth and status to guests via this means.

The modern orangery is a luxury extension of the natural living space creating a gym, games room or dining area, enhancing a home and adding value to it.

The concept of a conservatory grew out of the original orangery idea. Designed with optimum glass and roof panels to provide the highest light ratio, they were able to open up a residence to bring the outdoors inside.

Conservatories were also developed to house exotic plants and even animals to shield them from the colder climates of Western Europe. Popularity in the United Kingdom was at an all-time high in the 19th century born from the nation’s natural love of gardening. In modern times Victorian designs remain as popular as ever. Famous conservatories in the UK can be seen at Kew Gardens, Chatsworth House, owned by the Duke and Duchess of Devonshire and the Eden Project in Cornwall.

So, what’s the difference? A conservatory should have sidewalls and a predominantly glazed roof. Many Victorian conservatories were built using metal and glass and this style still remains popular. Today the use of modern materials such as UPVC frames gives a stylish and more durable alternative.

Orangeries commonly have increased brickwork and utilise tall windows to maximise light. Less than 75% of the roof is glazed and will typically feature as a lantern style roof. Advances in technology have allowed modern designers to create a whole new range of roofing styles. Both orangeries and conservatories commonly add around 7% of value to a property.
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Case study
At Castle Conservatories it’s the care of our customers we truly value. Many projects start as recommendations from other clients. We asked Mr and Mrs Sinnet from Surrey to share their experience with us.

In 2015 Castle Conservatories were requested to design and build a substantial orangery for the client’s Surrey home. Working closely with them to project manage the build from start to finish, an in-house team of building experts carried out all aspects of construction resulting in a seamless transition between this and the main part of the property. Careful consideration and consultation ensured the orangery was a sympathetic design matching existing features, brickwork and provided the dream space they were looking for. Warm roof technology maximised light, whilst the unique insulating perimeter fulfilled the prerequisite that the room could be used all year round.

“Our new Orangery has completely opened up the house and we use the room constantly all year round. The room amazes people who visit us and we certainly feel it has the wow factor. We were impressed throughout the whole process of the professionalism of the different teams coming in and how courteous they all were. We had no issues at all and would be more than happy to recommend Castle Conservatories.” Mr and Mrs Sinnett, Cheam, Surrey
Today modern orangeries and conservatories are designed with warm roof construction and state of the
art glazing solutions to really create a year-round
space. Unique roofing systems provide the best of both worlds. Designed to ensure the light of a conservatory and the feel of an extension. A variable depth insulated perimeter ceiling creates a real living space that processes a much greater thermal efficiency in comparison to a standard conservatory.

Castle Conservatories will work with a client to find the best solutions to their needs, project managing a build and offering a complete service that will result in a great extension for any home. Careful, relevant advice ensures all the client’s lifestyle enhancement expectations are met with a minimum of fuss.

Castle Conservatories
Woodcote Green Garden Centre, Woodmansterne Lane , Wallington Surrey SM6 0SU
Contact: Paul Jones
Telephone: 020 8669 1500
Email: Paul@castlecon.com
Website: www.castleconservatories.com